西安藝術(shù)品交易精品推薦：元青花雙鳳壽桃連枝陳設(shè)瓷
此藏品圖片為王先生實(shí)物拍攝,(實(shí)物與圖片一致)
藏品名稱：元青花雙鳳壽桃連枝陳設(shè)瓷
藏品編號：SXXAYSP-20220728-96
藏品規(guī)格：以實(shí)物為準(zhǔn)
藏品重量：以實(shí)物為準(zhǔn)
藏品估價：議價
該器物整體造型是一個桃子，頂端兩片桃葉，桃子兩面各繪一只青花鳳凰，腹中下部到頂部有一枝桃枝形提柄與桃子相連，底部橢圓形，繪有青花石子和仙
草的圖案，足為橢圓不規(guī)則形(質(zhì)量稍有偏重心)，足底露白色瓷砂胎，中心有
圓孔，整體似壺而無流。器物表面白中泛青，光潤透明，青花繪畫圖案，發(fā)色
濃艷深沉，在腹的上部繪有青花“大元國至正十二年制”九個中國繁體漢字。器
物高35cm，腹徑約20cm，足橢圓不規(guī)則形長約19cm，寬11cm，該器物應(yīng)屬“吉
祥祝壽器物”。
元代的青花瓷器胎體潔白堅(jiān)致，是因?yàn)楫?dāng)時的坯土細(xì)膩潔白，琢器底部多露胎，砂底。到中晚期青花發(fā)色濃艷，藍(lán)色深沉并鮮艷，繪畫清晰優(yōu)美，釉色透明
白中泛青，光潤透亮。
根據(jù)元代瓷器生產(chǎn)工藝的特點(diǎn)，該器物符合元代晚期青花瓷器的特點(diǎn)，屬元代至正十二年制造的瓷器，應(yīng)定為“青花雙鳳壽桃連枝陳設(shè)瓷”
The overall shape of the object is a peach, with two peach leaves on the top, a blue and white phoenix painted on each side of the peach, a peach branch handle connected to the peach from the bottom to the top, and an oval shape painted with blue and white stones and fairy on the bottom
The pattern of grass, the foot is elliptic irregular shape (the quality is slightly biased center of gravity), the white porcelain sand tire of the sole dew, the center has
Round hole, overall like a pot without flow. The surface of the ware is white and green, smooth and transparent, blue and white painting pattern, hair color
Thick and deep, in the upper part of the belly painted blue and white "big Yuan country to 12 years" nine Chinese traditional Chinese characters. device
The object is 35cm high, the abdominal diameter is about 20cm, the foot elliptic irregular shape is about 19cm long, 11cm wide, the utensil should be "lucky.
Auspicious birthday utensils ".
The white and white porcelain body of the Yuan Dynasty is white and firm, because the billet soil is delicate and white at that time, and the bottom of the cutter is more exposed, sand bottom. To the middle and late blue and white hair color, deep and bright blue, clear and beautiful painting, transparent glaze
White pan-green, smooth and bright.
According to the characteristics of the production process of porcelain in the Yuan Dynasty, the ware is in line with the characteristics of the late blue and white porcelain in the Yuan Dynasty. It belongs to the porcelain made in the twelfth year of the Yuan Dynasty. It should be designated as "blue and white Double Phoenix and peach connected branches display porcelain".
關(guān)于青花，先說簡單的，工藝方面，其實(shí)青花瓷，唐朝就出現(xiàn)了，只是不好，是渣。
歷五代，宋，到元，是科技，工藝發(fā)展的結(jié)果；
還有最重要一點(diǎn)，元疆域最廣，擴(kuò)展到中西亞了，于是最湊巧的事發(fā)生了：
首先，蒙古人崇尚素雅，比如藍(lán)、白這類色彩；
第二，在西亞發(fā)現(xiàn)了上好的珠明顏料，也就是青花顏料。
那時候交通不發(fā)達(dá)，從西亞弄點(diǎn)青花料不遠(yuǎn)萬里，
通過駱駝，馬匹，運(yùn)到景德鎮(zhèn)，是多么不容易。結(jié)果，青花料比黃金貴。
以下很好理解了：這么貴的東西，你會隨便浪費(fèi)在那些低檔的器物上嗎。
這時候，一定會請技術(shù)最好的畫師，畫那些高檔的器物的。
所以，元青花，繪畫水平是相當(dāng)高的。
面對元青花，我是膜拜的姿態(tài)，來品味那些我們先輩留給我們的財(cái)富。
以元青花典型的魚藻紋罐為例，那線條酣暢淋漓，構(gòu)圖繁簡得當(dāng)，用最美的詞贊頌它都不為過。
About blue and white, first of all, the simple process, in fact, blue and white porcelain, the Tang Dynasty appeared, but not good, is slag.
The five dynasties, Song, Yuan, is the result of the development of science and technology;
And most important of all, the Metazoan territory was the most extensive, extending into Central and Western Asia, and so the most coincidental thing happened:
First, Mongolians advocate simple and elegant colors, such as blue and white.
Second, in West Asia, the finest pearl pigments, also known as blue and white pigments, were found.
It was a long way from West Asia to get some blue and white stuff,
It was not easy to transport them to Jingdezhen by camels and horses. As a result, blue and white is more expensive than gold.
The following is easy to understand: such expensive things, you will casually waste on those low-grade utensils.
At this time, it is certain that the best painters will be hired to paint those high-end objects.
Therefore, Yuan blue and white, painting level is quite high.
In the face of blue and white Yuan, I am the posture of worship, to taste the wealth that our ancestors left us.
Take Yuan blue and white typical fish algae grain tank as an example, that line is Hanchang dripping wet, the composition is complicated and simple, with the most beautiful words to praise it too much.
青料是蘇麻離青，這種青料只有元代和明代早期用，
而且元代的蘇麻離青青料和明代還有所差別，
可證明此物最晚也是洪武永樂的東西，但其紋飾畫法又和元代的相同，
所以進(jìn)一步證明了這個罐子的時間應(yīng)該是元代。
青料是蘇麻離青，這種青料只有元代和明代早期用，
而且元代的蘇麻離青青料和明代還有所差別，
可證明此物最晚也是洪武永樂的東西，但其紋飾畫法又和元代的相同，
所以進(jìn)一步證明了這個罐子的時間應(yīng)該是元代。
The green material is Suma Liqing, which was only used in the Yuan Dynasty and the early Ming Dynasty.
And the Su ma in the Yuan Dynasty is different from the green and green material in the Ming Dynasty.
It can be proved that this object was also Hongwu Yongle at the latest, but its pattern painting is the same as that of the Yuan Dynasty.
So it further proves that the date of the jar should be the Yuan Dynasty.
The green material is Suma Liqing, which was only used in the Yuan Dynasty and the early Ming Dynasty.
And the Su ma in the Yuan Dynasty is different from the green and green material in the Ming Dynasty.
It can be proved that this object was also Hongwu Yongle at the latest, but its pattern painting is the same as that of the Yuan Dynasty.
So it further proves that the date of the jar should be the Yuan Dynasty.
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